Mike Atkinson

Stornoway – Nottingham Rescue Rooms, Monday November 25

Posted in gigs, Nottingham Post, Rescue Rooms by Mike A on November 28, 2013

Originally published in the Nottingham Post.

Downsized from Rock City at the eleventh hour, Stornoway adapted to their reduced circumstances with good grace; they’re more of a Rescue Rooms band in any case, and the comparative intimacy of the room suited them well. Entering to the strains of the original Dr Who theme tune, they preluded their first song, Farewell Appalachia, with a delicate arrangement for triangle, torn newspaper, wood block and axe. It’s doubtful whether this would have worked so well on a larger stage.

Although they’ve been playing together since 2006, and releasing records since 2009, this was the band’s first visit to Nottingham, we were told. To mark the event, front man Brian Briggs had done some prior research, and he duly declared himself impressed to be performing in the birthplace of “cat’s eyes, HP sauce, shin pads and genetically modified tomatoes”.

Seeking to add spice to I Saw You Blink, a well-worn old favourite, Briggs had also been casting around for a song from a Nottingham band, whose lyrics he could work into the tune. “As I’m sure you are painfully aware, there aren’t many bands to choose from”, he told us, blithely unaware of the city’s reviving musical reputation. A snatch of Lightning Bolt might have been fun, and even Billy Don’t Be A Hero might have raised a smile, but we had to settle instead for KWS’s cover of KC and the Sunshine Band’s Please Don’t Go. Oh well, never mind.

A six-track mini-album, You Don’t Know Anything, was released a fortnight ago, and three of its tracks found their way into the set list. The best of these was Clockwatching, a rousing early highlight which collapsed into cacophony before the final refrain, like an explosion in a farmyard. Later in the set, the droll lyrics of the title track – “I’ve less energy than a stick of a celery” – raised chuckles in the crowd.

Stepping away from the mikes for an unamplified four-song sequence, Briggs performed November Song on his own – “the noise of the air conditioning you can imagine to be the wild winds”, he quipped – before gradually being joined by the rest of the band, their guest fiddler and their guest trumpeter. Again, such intimacy would have been impossible at Rock City, but here it drew perhaps the loudest applause of the night, particularly following the gentle hoedown of We Are The Battery Humans.

Perplexingly, the band’s most recent full-length release, Tales From Terra Firma, was poorly represented in the set list – it would have been particularly good to have heard Knock Me On The Head and Invite To Eternity, for example – but on the whole, the audience warmed most to the oldest songs, softly singing along to Boats & Trains and Fuel Up, both from the first album.

Pitched somewhere between Noah & The Whale’s folk-pop and Belle & Sebastian’s chamber-pop, with a fondness for nature and wildlife imagery that makes them naturals for the outdoor festival circuit, Stornoway have carved a serviceable niche for themselves. They’re clearly sensible and grounded fellows – perhaps a little too sensible and grounded at times, with a tendency towards pious over-tidiness that could do with keeping in check – but they do what they do well, at a level of success that should sustain them for a good while to come.

Set list: Farewell Appalachia, Clockwatching, I Saw You Blink, Boats & Trains, When You Touch Down From Outer Space, The Ones We Hurt The Most, Fuel Up, November Song, Josephine, You Don’t Know Anything, We Are The Battery Humans, Watching Birds, You Take Me As I Am, The Great Procrastinator, Zorbing.

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