Bugz In The Attic – Rescue Rooms, Monday September 25
This multi-racial seven-piece collective from West London specialises in something called “broken beat”. If you thought this was an esoteric sub-genre, of interest only to serious-minded chin-strokers, then think again: there is nothing “broken” about this good-natured, accessible and thoroughly likeable music, which mixes the best elements of funk, soul and electronica into an infectious brew which deserves a wider audience than the clued-up Gilles Peterson crowd from which it originates.
Now promoting their long overdue debut album Back In The Doghouse, the band are finally taking their live show to the rest of the country. After a competent but lukewarm start, heavy on the groove but light on actual songcraft, things clicked into place from the fourth number onwards.
Despite the large number of people onstage, the music was mainly generated from three keyboardists and a live drummer. In the back corner, the band’s resident DJ had the cushiest job. Never touching his decks, he contented himself with occasional light percussion duties. Nice work if you can get it.
The Bugz belong to that fine tradition of eclectic home-grown funk which stretches back from Basement Jaxx to the Brand New Heavies and Soul II Soul. Some of their most effective material evoked classic early 1980s acts such as Shalamar and Evelyn King. Their powerful re-working of Don’t Stop The Music ignited the crowd, as did all the material which is currently showcased on their Myspace page – an increasingly common phenomenon.
An encore of Sounds Like turned into a celebratory extended jam, with three band members attacking the drum kit, as the DJ cheekily lapped up the applause from centre stage. With Basement Jaxx beginning to falter, and the reformed Brand New Heavies desperately trying to claw back lost ground, the opportunity for the Bugz to break through is wide open.