The Automatic / Mumm-Ra – Nottingham Trent University, Wednesday October 18
With the sold out NME Rock’n’Roll Riot Tour lined up for tomorrow, and The Divine Comedy scheduled for November, Nottingham Trent is clearly serious about re-establishing its Shakespeare Street building as a venue for “name” acts. After a gap of over a decade, this is welcome news, as the hall lends itself superbly to live music. The stage has been shifted onto the long wall, allowing the crowd to spread itself out, visibility is excellent, and the acoustics are spot-on.
None of this was enough to lift Mumm-Ra’s support set out of competent mediocrity. The band cut their teeth with two-hour experimental Krautrock jam sessions in village halls – but such experimentalism is long gone, replaced by the sort of tame orthodoxy which has characterised far too many of this year’s bands. They need to get their Krautrock back, and fast.
Thankfully, The Automatic took the evening to a new level, aided by excellent lighting from the impressive rig, and an inventive series of brain-scrambling animations on the cinema-sized screen behind them, the likes of which we haven’t seen since the Super Furry Animals last came to town.
It would have been understandable if they had been weighed down by Monster, their ubiquitous mega-hit of the summer. (Indeed, it was cheekily introduced as a “Status Quo cover version”.) However, a tight, energetic, confident set showed that the band have stepped up to the mark admirably, and are already at ease in larger venues.
An unexpected highlight was a cover of Kanye West’s Gold Digger, which had the irrepressible keyboardist Alex Pennie rapping over vocalist Rob Hawkins’ flute, in a kind of hip hop/Jethro Tull soundclash (ask your Dad).
If straight-up, student-friendly, NME-approved guitar rock has begun to bore you, then The Automatic are the hugely enjoyable exception to the rule.