Joan As Police Woman – Nottingham Rescue Rooms, Wednesday December 10
Having supported Rufus Wainwright in 2005 and the Guillemots in 2006, Joan Wasser made her Nottingham debut as a headline act last night. In contrast to the self-effacing modesty of her previous shows, she radiated a new-found authority, looking glamorous and sleek with her newly auburn hair and sparkly gold frock.
Technical problems with Joan’s keyboard disrupted the flow of the first few numbers, loosening her focus and disrupting her concentration. Bolstered by the amiable patience of her audience, she soon warmed up. Switching to guitar for the bulk of the more muscular, rock-tinged second half, her performance stepped up a notch, her playing markedly more expressive.
A jumbo-sized packet of Doritos were handed into the crowd, and passed around like communion wafers. From this point on, Joan was on safe ground. The goth-like rumblings of Christobelworked better live than on record, and a sublime Magpies benefited from fine falsetto harmonies, courtesy of her bassist and drummer.
Dedicated with fervent glee to “our new president”, To America segued into a thunderous version of Furious, which climaxed with a no-holds-barred, free-form freak-out. As Joan repeatedly slammed her fists into her keyboard, those earlier technical glitches became much easier to understand.