NME Shockwaves Tour – Nottingham Rock City, Wednesday February 11.
These annual NME package tours can be patchy affairs. For every band who leap-frogs to greater success (Coldplay, The Killers, Arctic Monkeys), plenty more are destined to fall by the wayside (hands up, who remembers Campag Velocet, Alfie, Mumm-Ra or JJ72?).
Following below-par showings in 2007 and 2008, this year’s line-up marked a return to form. Florence and the Machine opened the show, with a well-received set that showcased Florence Welch’s powerful vocal capabilities. Florence was at her best on the more intense, dramatic numbers, which carried distinct echoes of Siouxsie and the Banshees. If she can rein in the ditsy bohemian act, and carry herself less like an art student and more like an artist, then her future should be assured.
Although the most orthodox band on the bill – we’ve heard these early New Order/Bunnymen influences many times before – White Lies proved to be the surprise hit of the night, building their comparatively lengthy set up to a satisfying crescendo, and demonstrating an efficient grasp of stagecraft.
They might be the superior band on record, but Friendly Fires struggled to retain the momentum set by White Lies. Their sound mix was sludgy, their playing lacked focus, and there was something faintly irritating about front man Ed Macfarlane’s over-strenuous cavortings. That said, nothing could spoil the impact of minor-league gems such as In The Hospital, Jump In The Pool or the sublime Paris. Perhaps this was just an off night?
Headliners Glasvegas have come a long way since their self-effacing half-hour set at the Bodega last January. They carry themselves differently these days. There’s more assurance, more authority, and even the first glimmers of a rapport with their audience. Rock City suited them perfectly, and James Allan returned our love with a smile and a bow. Despite an overly booming, bass-heavy mix, the night belonged to them.