Crystal Stilts, Wet Paint, The Manhattan Love Suicides – Nottingham Chameleon Arts Café, Wednesday February 25.
It might not be the highest profile of venues (and unless you know exactly where to look, you’ll struggle to find it), but the Chameleon on Angel Row is currently hosting some of the most exciting grassroots gigs in the city. Because of the lack of publicity (you’ll probably need to be on Facebook), there was a sense of having stumbled across a well-kept secret, far away from the shallow hipster pack.
The Manhattan Love Suicides churned out a low-fi, fuzzed-out racket, channelling elements of 1966-era Velvet Underground, 1976-era Ramones and 1986-era Jesus And Mary Chain. The playing was simple, fierce and precise; the effect was mesmerising and energising.
Wet Paint appeared to have recruited Spinal Tap’s Derek Smalls on bass and Scooby-Doo’s Thelma on drums. They were the most conventionally indie band of the night, and perhaps this counted slightly against them.
Like half the hottest acts of the past two years, Crystal Stilts hail from Brooklyn. As with their two predecessors on the bill, their drummer is female. On record, they mostly sound like sulky Mary Chain copyists. On stage, they quickened their rhythms, expanded their range, and came to full and glorious life. It was a privilege to experience them at such close quarters.