Easy Star All-Stars, Nottingham Rescue Rooms, Thursday May 7.
At first, they sound like a novelty act – but on closer inspection, there’s a real seriousness of purpose behind Michael Goldwasser’s Easy Star All-Stars project. It takes a certain amount of brass neck for a bunch of mostly American and Jamaican reggae musicians to dedicate themselves to their chosen task: that of producing thoughtful, inventive and entertaining full-length covers of classic British concept albums. But instead of coming across as flippant or sacrilegious, the band’s underlying respect for their source material – Dark Side Of The Moon, OK Computer and most recently Sgt. Pepper’s Lonely Hearts Club Band – shines through, breathing new life into the familiar songs.
There are eight people in the current touring version of the band, with most vocals split between the statuesque Kirsty Rock, the effervescent Menny More and the beaming, calming Rasta presence of Ras I Ray. Barring a couple of self-penned openers, the lengthy set divided fairly evenly between the Floyd, Radiohead and Beatles covers. The selections from Sgt. Pepper were lighter and cheerier, with the occasional artfully altered lyric – those cellophane flowers in “Lucy In The Sky With Diamonds” are now red, gold and green, for instance. But where Dark Side and OK Computer can tend towards the oppressively bleak, the All-Stars didn’t let the subject matter stand in the way of serving up a good time. If anything, a little more English gloom wouldn’t have gone amiss – but perhaps this wouldn’t have played so well with the crowd, sections of which were bordering on the delirious by the end of the night.
There were a couple of misfires. The Beat’s Ranking Roger showed up for a brief guest vocal, but sheepishly resorted to cribbing the lyrics from his phone. Considering that he only had one verse to sing, it was difficult to feel much sympathy. And the encore section dragged badly – firstly with Kirsty’s over-stretched attempts to re-create the vocal drama of the Floyd’s “Great Gig In The Sky”, and secondly with an interminable meet-the-band jam session that brought the show to an anti-climactic finish. But set against these were a sparkling dub-style take on “When I’m 64”, a lush, emotional “Breathe”, a finely crafted “Paranoid Android”, a complex yet danceable “Money”, and much more besides.
There’s a good reason why this bunch have been almost permanent fixtures in the upper reached of the US Billboard reggae charts for most of the decade, and it was a pleasure to hear them weave their unlikely magic in front of such an appreciative audience.