Interview: I Am Lono
This feature originally appeared in the Nottingham Post.
They might describe their music as “claustrophobic, pounding and paranoid”, but in the flesh, I Am Lono are an affably untroubled pair of souls – or so it would seem on the surface, at any rate.
According to Matthew Cooper, who sings and plays the keyboards, the claustrophobia is a by-product of the duo’s creative environment. “We write all the music in the basement, and it is very claustrophobic. There are no windows. The dehumidifier is the only bit of moisture that we get close to.”
Guitarist and co-composer David Startin agrees. “Every time we write anything, we have these speakers that really enclose us. It’s a very direct way of writing, so we’ve always got that element.”
“I think we’re both very sensitive people”, adds Matthew. “It’s difficult not to be paranoid.”
The pair met through sharing music and books, and their mutual admiration for the crazed “gonzo journalism” of Hunter S. Thompson gave them their name. In his early Eighties memoir, The Curse Of Lono, Thompson finds himself in Hawaii, attempting to cover a marathon. A fishing trip ensues, and Thompson lands a huge marlin, which he clubs to death. Believing himself to be a reincarnation of Lono, the Hawaiian god of fertility and music, he screams “I am Lono!” as he slaughters the fish, before going into hiding from angry islanders.
There’s another cultural reference in I Am Lono’s debut single, which will be launched at the Rescue Rooms on Tuesday. Lead track Leland is inspired by a character in David Lynch’s early Nineties drama Twin Peaks. Possessed by a demonic spirit, Leland Palmer, the small town’s seemingly mild-mannered attorney, is eventually revealed as the murderer of his daughter Laura, solving the central mystery of the show’s first season.
With that in mind, the song’s chorus – “Oh Leland, I want your love” – makes for a disturbing tribute, but as Matthew explains, “It has a sort of tension to it, that I liked. There is the ambiguity of the name, as it’s not definitely a male name, but also there’s ambiguity with Leland as a character. In a way, the song is a cry for innocence.”
It’s also a prime example of David and Matthew’s love of soundtrack music. John Carpenter is another inspirational figure – “Escape From New York is one of the best soundtracks ever”, says David – and before the band formed in early 2011, Matthew mainly worked on soundtracks for independent film makers.
Visuals are an important component of their approach; Matthew does all the artwork, and the pair are “very much in control of what we want visually”. At the launch, visuals will be provided by a member of the Kneel Before Zod video club, who regularly screen “old B-movies and slasher movies”. The intention is for these to be mixed with live visuals on the night.
As a further inducement, advance ticket purchasers will be able to exchange their stubs for a free copy of the vinyl single. This pairs Leland – their most “four-to-the-floor” and dance-derived composition to date, with a “1978 New York” feel to it – with the thrashier, more guitar-driven In Silence, which David describes as having “a Pixies-esque early Nineties kind of feel; that kind of sonic power that pushes out.”
A digital release is also planned, although David and Matthew are less enthused about the format. “With downloads, it does feel more like a rental – a partial ownership of music”, says Matthew. As for making their music available on Spotify, he is decidedly lukewarm. “One million hits, and you can’t even buy a pizza.”
Support on the night will be provided by another electronic duo, the gloriously splenetic Sleaford Mods, whose acerbic social commentary stands in contrast to I Am Lono’s more enigmatic approach. “We’ve not got a song that will bring down the government”, says David. “Not yet”, he adds. Well, you never know.