An edited version of this feature originally appeared in the Nottingham Post.
“So, what sort of music do you play?”
If your work tends towards the leftfield end of the spectrum, you might come to dread this question, especially if asked by well-meaning relatives or less clued-up colleagues.
“I always end up giving vague descriptions and saying it sounds quite krautrocky” says John Simson (better known as Simmo), keyboard player with Cantaloupe. “Then people look at me and think: what’s that? So I always end up saying: you know the video games you played when you were a kid? It sounds like that. And they seem to get that.”
“You normally end up going: we’re really boring rock music” says Dave Stockwell, who contributes guitar and bass. “Then they stop talking. Otherwise they want to hear it. Then they go: what is this music? What are you doing? Like, is this pop music?”
In Cantaloupe’s heads, the answer is a firm yes. According to Simmo, “it’s just dancey, fun instrumental pop.” “We try to make it unpretentious and enjoyable, for us as well as everybody else”, Dave adds.
This still doesn’t account for Cantaloupe’s fondness for unusual time signatures, though. For all its bright, melodic accessibility, Splish, the lead track on their new single, is in 10/4 time. It’s danceable enough – but the closer you listen, the trickier it becomes.
“That’s definitely one of the challenges we like to take on”, says Simmo. “Doing something in an unusual time signature, so that when you listen to it, it has a totally natural rhythm and flow. But if you start breaking it down, maybe you see more complex things at play. Being an instrumental band makes it easier to take that on, because it’s hard to get vocals into an unusual measure, in a way that makes any sense.”
“Instrumental music is quite associative”, he continues. “When you have lyrical music, there’s a narrative there, which sets emotional boundaries. With instrumental music, you’re more reliant on hinting at things. So you get bands like Boards Of Canada, who have these almost nostalgic sounds, like something remembered from your childhood. I think with instrumental music, you’ve got to tap a lot more into that association and memory. One thing I never want to do is sound explicitly retro, but we definitely take cues.”
The three members of Cantaloupe came together last year, following the break-up of Souvaris, the band they had all played in for the past twelve years. Thanks to the contacts which they made over the years, they were recently able to book a full European tour.
“Half the tour is just us staying with friends”, says Dave. “You’re treated so well over there. You get fed really nice food, and you get really nice booze. We’re taking a half empty van and we’re going to come back with cases of wine.”
“I brought 36 bottles back the last time we went”, Simmo admits. “And that was just one out of six people.”
Continental Europe holds a special appeal to Cantaloupe. “It’s a different mentality”, Simmo explains, “because they haven’t really had fifty or sixty years of pop music culture, especially alternative music. It’s a bit more special to them. You get a much greater mix in the audience, for example.”
“There are stories we’ve got from touring Europe before, and the experiences we’ve had of meeting people”, says Dave. Take the case of Stanislav the Spanish artist, for instance.
“We were playing in the middle of nowhere in Spain, at two o’clock in the morning, in a theatre. Stanislav couldn’t afford to buy our record, so he went home, picked out an oil painting that he’d done, and insisted on paying us with an oil painting.”
“Unfortunately, we don’t get that kind of thing over here that often – and when you do, it’s normally a little more of a scary experience. But because you’re abroad, it seems much more charming.”
Cantaloupe release their new single Splish / Wet Dog on limited edition 12” vinyl and digital download on 17th June.