Breaking Big: who’s going to top the pops in 2014?
Originally published in Pride Life magazine.
Lacing her icy synth-pop with a grinding alt-rock crunch, Indiana built steady support for her music in 2013; even the Queen got to witness her in action, at Radio One’s Live Lounge. Lyrically, she explores the darker, more dysfunctional aspects of relationships; you’d never guess she was a happily settled mother of two, but Indiana thrives on such contrasts. “I’m in possession of a smoking gun, and I wanna hurt you just for fun”, she threatens, with a performance style that switches from doe-eyed vulnerability to steely fury in the blink of an eye. Mess with her at your peril.
Uniquely for a dance-based collective, Clean Bandit started out as a string quartet at Cambridge University, making them light on urban credentials, but strong on musical prowess. Strings are still central to their sound, which is peppered with naggingly familiar classical quotes, adding melodic sweetness to the electronic thump. They charted briefly, with the endearingly daft Mozart’s House, but they’ve been shaking off the novelty tag since then, with tracks such as the reflective Dust Clears and the uplifting diva-house of No Place I’d Rather Be. Like Basement Jaxx before them, their anything-goes musical stance is a joy to behold.
Formed just over a year ago, Amber Run have made remarkable progress for such a young band. Their fourth and fifth gigs were at the Reading and Leeds festivals – a baptism of fire, if ever there was one – and for their sixth show, they were backed by a 14-piece orchestra. Now signed to RCA Victor, the five lads have dropped out of their final years at university, to concentrate full-time on their music, described as “anthemic rock mixed with cinematic post-rock”. With songs as strong as Noah, Heaven and Spark, they could well be one of next summer’s festival favourites.
Having topped the singles chart with her guest vocal on Rudimental’s Waiting All Night, Ella Eyre is looking to match the solo success of John Newman, another Rudimental collaborator. A fierce and passionate performer on stage, the 19 year-old Brit School graduate has harnessed the same raw energy for Deeper, her début EP. Musically, the new material builds on Rudimental’s template, fusing classic soul/funk stylings with more dance-based elements, but it’s Ella’s husky, bluesy delivery that holds your attention throughout. A punchier, more powerful sound is promised for her forthcoming début album – but even now, she’s hardly short on clout.
Unlike our other four picks, Sleaford Mods are unlikely to taste major commercial success in 2014 – they’re far too sweary, for starters – but their heroically uncompromising approach deserves a wider audience. Backed by Andrew Hearn’s minimal low-fi electronics, Jason Williamson spits surreal venom and scathing fury in an earthy East Midlands rasp, as if Arthur Seaton, the anti-hero of Saturday Night and Sunday Morning, had been weaned on John Cooper Clarke and The Fall. “Boris Johnson and The Cheeky Girls shut down the underground!” he rages – and, if only for a moment, you find yourself punching the air in agreement.