Originally published in the Nottingham Post
For the first date of Kagoule’s UK tour, which will take them as far afield as Aberdeen and Brighton, the teenage alt-rock trio opted to play a special gig in the basement of the Lacehouse. While the bar’s regular Friday night crowd hopped around upstairs to cheesy Eighties hits, the basement filled with a markedly different set of punters, who thronged around a central performance space.
In the middle of the room, the three bands on the bill – Kagoule, Hang and Bluebird – performed in the round, facing each other, their monitors arranged inwards. Rope lighting marked out the boundaries of their zone, giving the cellar a crypt-like feel.
For the audience, this was a chance for an up-close and personal experience, which gave us an extra focus on the dynamics between the players. The volume might have been skull-crushingly loud, but the experience was curiously, and thrillingly, intimate.
Bluebird are a young band, who haven’t been performing for long, but they’re already impressively tight. Offering a fresh take on classic emo, their songs navigated complex twists and turns, stops and starts. Hopefully we’ll be seeing a lot more of them in 2014.
Hang started their set with a basic, chugging two-chord riff, which seemed like it would never end. It formed the starting point for a uniquely immersive set, performed as one continuous instrumental piece. Gradually, almost imperceptibly, the riff twisted into new shapes. As the guitar and bass kept a steady pulse, and the keyboards added sonic texture, the drummer was left free to roam, adding rhythmic colour to the hypnotic groove.
Pitched halfway between Hawkwind and Hookworms, and tempered with Krautrock’s unflashy precision, Hang’s set was utterly spellbinding.
It has been almost two years since Kagoule burst onto the Nottingham scene, with their landmark appearance at Rock City with Dog Is Dead – and yet the band members are still only just old enough to order beers at the bar. Having completed their education over the summer, Cai Burns (lead vocals, guitar), Lucy Hatter (bass) and Lawrence English (drums) are now free to concentrate on the band full-time, building on all the promise which they have consistently shown.
Inspired by Nineties alt-rock, as pioneered by the likes of Fugazi, Nirvana and Unwound, Kagoule breathe new life into the genre. Opening with Monarchy – their oldest song, written by Cai at the age of fifteen – they tore into their set with visceral power. Brought forward from his usual place at the back of the stage, Lawrence’s brilliant drumming was dragged right into the centre of the storm, underpinning Cai and Lucy’s instinctive chemistry.
The intensity lightened for the comparatively gentle Made In Concrete, before rising to new heights for new single Adjust The Way, perhaps their heaviest track to date. Encoring with a track so new that Cai apologised in advance for not remembering its words, Kagoule drew thunderous applause from the hometown crowd. If the staging had been an experiment, then it had paid off handsomely. Let’s hope that more city bands follow their example.