Originally written for Nottingham LIVE
I’m starting this list with an artist who I only heard for the first time today – but hey, when you feel it, you’ve got to go with it. Having recently guested on One Bomb’s Take Over, Aja is now preparing for the release of a four-track EP, which showcases her brand of icy, bassy electronica – and as a teaser video for lead track Made Of Glass suggests, she’s equally strong on visual presentation, too.
2. Amber Run
If Aja is the darkest horse on this list, then Amber Run have to be one of the safest bets. Signed by RCA Victor less than a year after they formed, and with appearances at the Reading and Leeds festivals already under their belts, Amber Run’s rise has been so swift, and so smooth, that you could be forgiven for suspecting an undisclosed sinister master plan. The truth is pretty simple, though: they’re a naturally cohesive unit, blessed with good looks, canny management and a talent for turning out future festival anthems, such as last summer’s ubiquitous Noah and their anthemic set-closer, Spark. Aided by its memorable closing refrain – “Let the light in, let the light in” – Spark could well be their breakthrough track in early 2014.
3. April Towers
Formed from the ashes of the late lamented Frontiers, Charles Burley and Alexander Noble have re-grouped as an electronic duo, channelling something of the spirit of New Order and Electronic. They’ve been a studio-based project thus far, but live dates are promised in early 2014.
With a loose-limbed, beatnik style that sets him apart from the hip hop pack, Kane Ashmore burst onto the Nottingham scene last spring with his low-slung signature tune, The Ashmore Show. Since then, he’s been gigging incessantly, and building expectation for his next project, Loonyology, due in February and featuring the likes of Bru- C, Motormouf and Rebecca King. An unreleased album has been knocking around for a while – perhaps it will never see the light of day – but tracks such as the Notts-to-its-core Yah Get Meh and the cheeky Scribbling & Dribbling (“I’m the type of guy to steal your soul, and eat your rolls while listening to Nat King Cole”) are too good to be left on the shelf forever.
I may not know much about emo – well, let’s face it, I know next to nothing about emo – but Bluebird impressed me greatly when supporting Kagoule in the basement of the Lacehouse in December. As I said at the time, they’re “a young band, who haven’t been performing for long, but they’re already impressively tight. Offering a fresh take on classic emo, their songs navigate complex twists and turns, stops and starts. Hopefully we’ll be seeing a lot more of them in 2014.”
6. Gallery 47
If I had to pick a favourite track of 2013 from a Nottingham artist, it would have to be All It Could Grow Up To Be, from Gallery 47’s free EP Dividends. Since then, The Guardian’s Paul Lester has picked Jack Peachey’s alter ego as one of his New Bands of the Day, describing him as a “Midlands tunesmith with an angelic falsetto singing about car bombs and weight loss”, and a number of London showcase gigs towards the end of the year have further helped to spread the word. A second album, All Will Be Well, is due shortly.
7. Georgie Rose
Few, if any, local acts can have worked it harder on the city’s live circuit in 2013, and no festival was ever complete without Georgie Rose’s name on the bill. And yet, wisely, she has resisted the temptation to give it all away for free on SoundCloud or Bandcamp, thus building expectations for the studio recordings which are sure to follow in 2014. In the meantime, live favourites such as Twenty Mile Road, Fool In The Summer, Love Me Again and L.O.V.E. are clear indications of a talent which has only just begun to be tapped.
Underground to the point of near-invisibility – you’ll search in vain for the merest trace of an online presence – Hang have retained a pleasing sense of mystery. “Transcendental repeato-riffs and primal boogie, for fans of all things cyclical”, said Cantaloupe, prior to a joint gig at The Chameleon. It’s a fair description, but nothing can really prepare you for the immersive onslaught of their live show. Pitched halfway between Hookworms and Hawkwind, and tempered with Krautrock’s unflashy precision, they play without pause, twisting basic, chugging riffs into slowly shifting shapes while their keyboardist adds sonic texture, and their drummer provides rhythmic colour. Spellbinding stuff, but you’ll need to work hard to track them down.
Tipped by many to break through big time in 2013, Indiana opted instead for the slow build, rather than the big bang; understandable, when you’ve a baby on the way. Three singles emerged – Bound, Smoking Gun, Mess Around – and each fared well in terms of national radio support, if not in terms of chart placings. Meanwhile, she debuted at Glastonbury, performed for the Queen, recorded in L.A, and gave birth to Etta, her second child. With the likes of London Grammar achieving significant success in a similar musical vein, the time is ripe for that long awaited début album.
10. Josh Wheatley
“I’m not that rich, and I don’t have a boat; all I own is in my coat.” Featuring Nottingham LIVE! Radio’s favourite lyric of the year, “Sail Away” was angelic-voiced 18 year-old Josh Wheatley’s calling card, bringing him to the the city’s attention back in April. Produced by Trekkah from the Afterdark Movement, Josh’s début EP (Follow The Smoke) is due for release at the end of January, with a launch gig at Pepper Rocks on Thursday January 30th.
Their studies complete, Kagoule are now free to concentrate on their music full-time, making 2014 theirs for the taking. Once rather shy on stage, their performances now crackle with chemistry, as Laurence’s brilliant drumming underpins Cai and Lucy’s instinctive rapport. Radio One and the NME are already on board; many more look certain to follow.
12. Nina Smith
The formerly ubiquitous Nina Smith took time out during 2013, in order to work on new material and a fresh approach. Re-emerging at the end of November, with a showcase gig at a packed Rescue Rooms, she staged a triumphant return, working her way through a brand new set list with a brand new band, and never sounding in finer voice. A second appearance swiftly followed at the Royal Concert Hall, confirming that one of the city’s most enduringly popular characters is well and truly back in the game.
It was also a quiet year for Ronika, with just one EP release to her name (plus a free download, featuring her strongest vocal performance to date), but that’s all set to change in 2014, with the release of her splendidly titled début album, Selectadisc. She might be based in London now, but what better tribute could there be to Ronika’s Nottingham roots?
14. Saint Raymond
At this stage, it’s almost beyond question that Saint Raymond is set to become Nottingham’s biggest post-Bugg breakout star. Signed to Asylum/Atlantic on the strength of his Escapade EP, Callum Burrows has gone one better with his follow-up, which is due to drop on January 5th. As a songwriter, he has an enviable knack for a winning indie-pop hook, and tunes like Young Blood (his hit-in-waiting) and Fall At Your Feet (from the first EP) are stuffed full of them, from end to end. Fresh from supporting Haim on tour, he’s perfectly poised to seize the moment.
15. Sleaford Mods
Embraced during 2013 by the European arthouse hipster set, with gigs in Paris, Brussels and Berlin, and boosted by Twitter support from Luke Haines and Kim Gordon, Sleaford Mods ended the year on various publications’ “best of” lists for their album Austerity Dogs, while simultaneously releasing four 7-inch singles on four different European labels. A German tour is planned for May – although what German audiences will make of Jason Williamson’s surreal, venomous and deeply sweary tirades is anyone’s guess – and, perhaps most unlikely of all, a feature on the duo is due to be published in Arena Homme Plus, a magazine that is best known for its upmarket mens’ fashion spreads. Where will it all end? The catwalk, or the dole office?