Spex Fest – Nottingham Bodega Social Club, Sunday May 17.
Starting at 5:30 in the afternoon and ending shortly after midnight, Nottingham’s inaugural Spex Fest offered an opportunity to sample six experimental indie bands – most of them American – in a well-chosen line-up which showcased the diversity of the current scene.
Following opening sets from Lovvers and Shitty Limits, Icy Demons (from Chicago) took to the stage at 7:45. Arguably the most technically accomplished live performers of the day, the band played a dazzlingly eclectic set, drawing on influences that ranged from jazzy prog-rock to funk and dub, all underpinned with a keenly rhythmic intensity. If you’ve been mourning the demise of Stereolab, then Icy Demons might just be the band for you.
Rainbow Arabia (from California) are a boy-girl duo who combine dance-derived electronica with Middle Eastern influences, overlain with obscure, echo-heavy vocals and pealing guitar lines. They took a while to hit their stride – but when they did, the effect was compelling.
Times New Viking (from Columbus, Ohio) took things back to raw, lo-fi basics, with a thrashy, brutal simplicity that stood in stark contrast to the previous two acts. Appealing enough in small doses, there was something a little too one-dimensional about their approach, which would have benefited from a sharper sense of dynamics.
Telepathe (from Brooklyn) were perhaps the strangest, most awkward and most challenging act of the day, blending girlish innocence with an unsettling sense of menace. Melissa Livaudais and the splendidly named Busy Gangnes stood sweetly behind their keyboards and percussion, singing mostly in unison with frail, emotionless, unschooled voices – while a booming, throbbing, deafening maelstrom of sound crashed around the room.